Masculinity and Sexual Assault Awareness Month

This is a first draft of an op-ed for a group called ManUp! that I’m working with in Bloomington.  I’d appreciate any comments or feedback:

April, sexual assault awareness month makes me tired.  I am tired of seeing women that I respect and care about exhausted as they do the challenging, important, but also extremely difficult work of supporting survivors of rape, sexual assault, and domestic violence and working to raise consciousness which might prevent future violence.  Many of these remarkable friends have experienced violence in their lives and started doing the work that they do because of the lack of support that they experienced.  Their efforts are remarkable and brave yet ultimately they shoulder the weight of their pasts as well as the weight of the survivors that they support and the confused, indifferent, or even hostile voices they encounter doing prevention work.

I am tired of feeling trapped in the same tired discussion in the rare cases that men’s violence and men’s violence against women comes to the surface, whether it is in the lives of celebrities such as Chris Brown or the lives of men in my social circles.  I can try to excuse the violence, weakly dismissing it as stress or substance abuse or as an isolated incident.  Or, I can pat myself on the back, satisfied that at least I am not one of “those men” who chooses to be violent, to harass and intimidate those passing by on the street, who touches someone’s body without their permission, who pressures someone to consume too much alcohol or drugs in the hope of getting lucky, or who seeks to belittle and control intimate partners. In either case, I can’t find the imagination to think of a world where perpetrating and experiencing violence is not a part of manhood – mine, my friends, or Chris Brown’s.

I am tired of a man’s strength being defined by his ability to suppress painful experiences and to downplay the experiences of others rather than crying out and reaching out and working in the hopes that others might be spared those painful experiences.   I am tired of the gentleman’s agreement that we will not speak of our fear of violence from other men or the fear of the violence we have committed or might commit.

Finally, I am tired of the myth that violence against women doesn’t matter to men and that it is not men’s work to end this violence.  It is a myth that I have found comfort in because it excuses my own inaction.  If this myth rings true to me or other men, I fear it is only because we have spent so much energy convincing ourselves that it is true.   When I think of all the effort spent changing the subject to avoid seeming vulnerable, laughing along or remaining silent when a friend tells a cruel, demeaning joke, or convincing myself that it’s not my place to say or do something when I witness or hear about violence it seems like such a waste.  All that energy could have gone into dealing with the violence that men have witnessed or experienced in our lives to make sure that we don’t repeat it.  It could go to defining manhood by our best, most noble qualities instead of the worst of our choices.  It could go towards working earnestly as allies with women to prevent violence that hurts us all.  Sexual assault awareness month is not just a chance to be aware that violence is terrible, that it happens too frequently, or even that it hurts both women and men.  It is also an opportunity to be aware that we can make a different, less violent world.

Graffiti Panic

This is a letter to the editor that I just submitted in response to an editorial in today’s H-T, Graffiti not art; it is vandalism:

I was disappointed by today’s editorial condemning graffiti.  Rather than fostering a nuanced and frank dialog about complicated issues like the state of public and private spaces in Bloomington, the editorial’s intention seemed only to attempt to induce panic.  Why even mention the specter of gang violence when the police department confirms that graffiti in Bloomington has no relation to such violence?  Furthermore, I am disappointed by the brief mention of the “broken windows theory”  and other studies outside of the context of a broader body of research.  This theory, like many sociological theories, is still being widely debated.  For instance, one study by researchers Robert J. Sampson of Harvard University and Stephen W. Raudenbush of the University of Michigan suggests that rather than being inherently problematic to the well-being of a neighborhood, graffiti (among other things) invokes deep-rooted anxieties and prejudices that people have about changing class and race dynamics of a community.  Ultimately, I am far more concerned about the high costs of renting spaces, barriers to starting businesses, and difficulty finding employment in Bloomington.  If we do not address these factors, graffiti may be the only way that many can participate in Bloomington’s downtown.

Django: Querying data from the Python shell

I needed to get some stats for some research that we’re doing and was happy to see that you can use Django and the python shell to query testament data in a way that’s database independent.  It’s a little unintuitive if you’re thinking in SQL mode, but it is usable and super-helpful.  I wanted to share it with ya’ll in case you needed to quickly pull stats or examine info.

Helpful reference Django docs:

  • http://docs.djangoproject.com/en/dev/topics/db/queries/#making-queries
  • http://docs.djangoproject.com/en/dev/ref/models/querysets/#queryset-api-reference

Print the prison name, city, and state of all prisons that received a package sent by the Midwest Pages to Prisones Project from 2009-01-01 to 2009-03-22

geoff@btp:/var/www/testament/testament_trunk/btp$ python manage.py shell
>>> import datetime
>>> from core.models import Prison, Package
>>> start_date = datetime.date(2009, 1, 1)
>>> end_date = datetime.date(2009, 3, 22)
>>> prisons = Prison.objects.filter(package__sent_on__range=(start_date, end_date), package__group__username__exact='mwpp').distinct()
>>> for prison in prisons:
>>>    print "%s %s, %s" % (prison.name, prison.city, prison.state)

Defiance, Ohio Northwest Tour Day 1

I’m going to try to write about tour this time.  It comes and goes so fast that sometimes all I feel is left are these “remember when …” snippets that come up between people I’ve been on tour with that are nice to remember but alienating to everyone else in the conversation.

I told Florence and Oona that I had to wake up yesterday at 4AM in order to get a flight that would put us in SC in time to play the show that night.  Florence just rolled her eyes and said  “That’s crazy”, which is funny because she’s had enough long, early-morning flying in her life that it’s not unfamiliar.  I think for her, and maybe other people, the idea of going on tour remains abstract enough that it adds this additional element of “craziness”.  The flights all went okay in the end, even though Theo flew separately and had 2 layovers and had his accordion stuck in SLC for a while. Bz, Ryan, and I got to play pinball on our layover and managed to sneak our instruments on as carry-on.

We rented this crazy, new-car-smelling, Hybrid car.  It’s pretty surreal, but fun.  It’s a small thing, but hopefully it saves us some money and makes the ecological footprint of touring a little less.  I don’t know how to calculate that.  A bunch of folks drove up from S. California for the show last night because we’re not making it south of Santa Cruz.  It’s awesome that people are willing to do that, and I have fond, fond memories of the concert road trip.  At the same time it just seems so costly.  I guess I take it for granted that I get to see a lot of good bands without having to travel far.

My totally uninformed, knee-jerk reaction to Santa Cruz is that it is a mash-up of Beverly Hills and Eureka.  As we rolled into town, stopped at a spotlight, I saw two guys yelling at each other and waving blunt objects.  One guy had a hammer and another had this cane.  The windows were rolled up so it was really surreal to see this scenario play out on mute.  I had this sick feeling of being trapped, just waiting for someone to get really hurt.  It would be easy to dismiss the two dudes as just being fucking crazy, but I think that lifts a lot of the accountability from their shoulders.  One of the guys kept starting to walk away, then the other guy would walk away, then the first guy would turn arond and say something and the other guy would start following him again waving his hammer.  It was so obvious that either of them could have chosen to just end it and walked away and saved themselves from getting really hurt and a lot of motorists from witnessing two guys bludgeon each other.  But, they felt like that had to keep provoking each other to keep their dignity intact.  It’s definitely a very gendered interaction, and I’ve felt it, though not involving such an immediate threat of violence.  I hate feeling like there is this trade-off between feeling like the choice is between avoiding violence and just escolating a stupid situatin and having your dignity and not feeling like you’re getting trampled on and letting a person who isn’t very nice or respectful “win”.  Not saying anything feels like you’re resigning yourself to a world dictated by violence and intimidation, but escalating conflict seems like it just hastens the worst realization of that world.

Playing the show was hard because we didn’t get to practice with Will, but I think it went okay.  People seemed stoked, even though we got completely squished.  When I tried to adjust to make more space for Bz or Theo, I feel like I ended up just bumping the other one more.  Punk is such a participatory medium, it’s hard to imagine people not wanting to be so close and get jostled, but there are times when I just can’t sing or play from getting jostled too much and it feels like the musical aspect is just lost.  I guess it’s reductve to separate people dancing and feeling part of this collective mass from the music, but it’s still frustrating.  It’s uncomfortable to feel like we’re scolding people when we ask for more space.

I enjoyed watching the bands that we played with more than I have in a long time.  Black Rainbow was great and dealt well with playing first in a sort of akwards space.  I liked Fischer a lot and how their music just sounds good without being overworked, labored, or trendy.  I had seen a bunch of the folks from St. Augustine’s bands before, but I think I might like Tubers the best.  They just looked like they were feeling what they were doing completely.  Dichotomy was totally good and also seemed really immersed in playing which somehow seems to make such a difference.  I’m excited to be playing shows with them this week, though the social coordination of 10 people is probably going to be really challenging.