Incident considered a hate crime

Sara(h) was interviewing me for her thesis about Bloomington punk and asked a question about skinheads when I remembered this incident in the past year of Bloomington. I had written some lyrics for a new Defiance, Ohio song about it, but had never researched the details. I quickly found this information from the HT:

Police and city officials are still investigating the beating of a 25-year-old man Tuesday morning as a hate crime, even though the victim was not black, as had previously been reported.

The man was attacked after a group of white men with what appeared to be shaved heads yelled anti-black racial slurs at him.

A little after 4 a.m., the victim and his wife were leaving a downtown tavern when they began hearing racial slurs from across the street.

The group of white men, all dressed in dark-colored clothing, then crossed the street in the 500 block of East Kirkwood Avenue and began attacking the victim.

One of the assailants used a skateboard to strike the victim, causing several lacerations to the man’s head.

He was taken to the hospital after his wife ran to get their car. The victim told police he had suffered a concussion and two dislocated bones in his arms.

Police officials said there was no new information regarding the case on Wednesday, and encouraged anyone with knowledge of the attack to contact them.

City spokeswoman Maria Heslin said the incident would still be pursued as a hate crime, even though a police report made no indication of the victim’s race.

Link

The Wonders of the World: Recite @ Boxcar Books. 7:30p.

Here is a review from a Minneapolis performance of this play:

Named one of the “Top Ten” shows of the 2006 Montreal Fringe, The Wonders of the World: Recite is a macabre coming of age story taking place on a lighthouse on the last day of the world. The show features two writers/performers (Donna Sellinger and Madeline ffitch), one live musician (Nick Stocks), Ulysses S. Grant as the ideal male specimen, a pop-up diorama, and a felt pigeon.

Also there’s cake………

“Each Fringe, you sit down to watch one show that could not have been made here in Minneapolis—you sit down and watch a group that’s been working somewhere else, and what they bring is so breathtakingly fresh that it makes you want to follow the group around trying to get some of those ideas to rub off on you.
Wonders is that show.” — Dan O’Neil (fringefestival.org)

The Missoula Oblongata is back in Minneapolis after a smashing summer tour where they received rave reviews from critics and standing ovations from audiences throughout The United States and Canada. The Wonders of the World: Recite was named one of the “Top Ten” productions at the 2006 Montreal Fringe and listed among “Best of the Fringe” by See Magazine in Edmonton, Alberta. The Missoula Independent (Missoula’s free weekly paper) listed the play in their year-end issue as one of “A Dozen Defining Art-World Moments of 2006”, and called it “the most charming original production of the year” and said that it “took DIY theatre to imaginative new levels”.

The Wonders of the World: Recite is a macabre coming of age story taking place on a lighthouse on the last day of the world. The show features two writers/performers (Donna Sellinger and Madeline ffitch), one live musician (Nick Stocks), Ulysses S. Grant as the ideal male specimen, a pop-up diorama, and a felt pigeon.

The Missoula Oblongata is the name given to the newly formed collaboration between long-time friends Donna Sellinger and Madeline ffitch. It is committed to creating original theatre that manages to be aggressively inventive and experimental, while tipping its hat to established traditions such as clown, vaudeville, and storytelling. The Missoula Oblongata grew out of Totally Realistic Productions, a company which had already completed three season-long tours, received a grant from the NEA (through the Idaho Arts Council), and performed at the Tony Award-winning Cincinnati Playhouse. Totally Realistic Productions received a Fotis Award for “Best Script” at the Minnesota Fringe Festival and have held residencies at The Dragon’s Egg, Grinnell College, and The Eugene O’Neill Theater Center.

The Missoula Oblongata is proud to be a completely self-sufficient production company. This means that the artists who write the script also perform, design, build, and light the play themselves. The company provides all of their own lighting (usually desk lamps and footlights) and the actors run the lighting and sound from the stage. This technique allows the company to perform anywhere that there is electricity and enough space. Vacant lots, classrooms, basements, roofs, Italian restaurants, and main stage theaters have all been host to The Wonders of the World: Recite.

Reviewers have said of past shows:

“The dialogue has an often poetic beauty, and Sellinger inhabits her character with a dark conviction that stuns..a must see” -View Magazine

“succeeds brilliantly…part theater, part dramatic storytelling, and part something else that’s a little difficult to determine” – Cincinnati’s CityBeat.

“The character development proves to be tight and the plot deceptively thoughtful. Even more impressive, the peripheral props eventually become vital—the lighthouse, the suitcases, even a birthday cake are all prominently involved. At one point the space is transformed into a romantic beachfront, and in another it becomes the scene of an octopus hunt. For a traveling three-person play, it’s a show with a surprising breadth of Vaudevillian pageantry.” –Missoula Independent

“Come for the cake. Stay for the most amazing experience ever.” –(audience review) MontrealFringe.ca

Published
Categorized as Lets Go

Why Income Inequality Matters

I saw this article posted on /. of all places.  Charles Wheelan writes about the rising gap between incomes in the US and brings up Brazil and their large income gap and the amount of violence in their society as an example of the ultimate negative implications of income inequality.

He invokes a stat called the Gini coefficient for measuring income equality.  Which I hadn’t heard of before.

The most convenient statistic for measuring income inequality is called a Gini coefficient, which measures a country’s distribution of income from 0 (absolute equality, with each person sharing the same amount of wealth) to 1 (absolute inequality, with one person controlling all of the nation’s wealth).

Here’s what that statistic looks like for a handful of countries, including contemporary and historic figures for the U.S.:

* Japan: .25
* Sweden: .25
* India: .33
* The United States 1970: .39
* The United States 2005: .47 (Note that a small fraction of the increase over time is due to a change in the methodology for calculating the Gini coefficient; still, income inequality has climbed steadily by this measure over the past four decades.)
* Brazil: .58

He states that income inequality might have advantages because it “motivates risk, hard work, and innovation” but that “income inequality doesn’t motivate anything good when there’s no hope of sharing in the pot of gold.” 

I’ve spent enough time in inner-city schools to wonder if we’re really providing an opportunity for the motivated and gifted to make their way from the projects to Wall Street.

Yes, it happens — you can watch Will Smith do it at your local multiplex in The Pursuit of Happyness, which is inspired by a true story. But how often does it not happen?

I’m convinced that part of what’s going on in Brazil is that the socioeconomic ladder is broken. There’s no real path from favela to bulletproof apartment, and some people with guns have decided that they don’t want to play by the rules made by the people in those apartments.

He also points out an interesting psychological effect where people would rather have fewer resources as long as they have more stuff than their neighbors.  So, the motivations for income inequality could actually motivate less advantageous situations for everybody.

In other words, we care less about how much money we have than we do about how much money we have relative to everyone else. In a fascinating survey, Cornell economist Robert Frank found that a majority of Americans would prefer to earn $100,000 while everyone else earns $85,000, rather than earning $110,000 while everyone else earns $200,000.

Think about it: People would prefer to have less stuff, as long as they have more stuff than the neighbors.

Link

new free healthcare clinic to open in bton

So this was off the radar for me and a bunch of people that I know, but it’s pretty exciting. The existing CHAPS clinic is being supplanted by a new free clinic operated by Volunteers in Medicine of Monroe County which is slated to open in April. According to Nathan Ringham, the clinic “will serve as a primary and urgent care clinic for uninsured residents of Monroe and Owen County, whose household incomes are less than 200% of the federal poverty level. Nearly all services will be free and provided almost entirely by volunteer medical practitioners. ”

There is an informational video that describes the clinic’s mission. I thought some of the imagery used in the video perpetuated the stereotype of the uninsured as unhealthy, unhappy, and dependent, which was unfortunate. The clinic sounds like a really good thing, however.

Link to VIM Monroe County website

Update:

I was surprised at what 200% of the federal poverty level means.  For 2006, if your income falls within the following, you would qualify to receive healthcare services from the new clinic:

Persons in Household Household Income
1 $19,600
2 $26,400
3 $33,200
4 $40,000
5 $46,800
6 $53,600
7 $60,400
8 $67,200

disaster show “capacity for cruelty” (2006.01.07)

We played with John Anderson, Morrow, and Wastleand DC.

For the slideshow, I projected this video from YouTube with a digital projector:

http://www.youtube.com/watch?v=m9A_vxIOB-I

and this text (from a soldier’s blog that I came across when excerpts were published in the copy of Best American Nonrequired Reading that my brother gave me as a Christmas gift) with the overhead projector:

APRIL 29, 2005 – MEMORIES OF DEATH

THERE is good out there even though at times it all seems bleak. There is also death. How many have dealt in death? Some would call it murder. Well, I have a confession to make, my platoon and I have had over 192 confirmed kills during our first deployment here (during the war on our way to capture Baghdad). We targeted people and then they just disappeared. Why? They were going to kill me. I had my orders and they had theirs. We were mortal enemies because we were told that we were. There are some who would tell me to not think about what I had to do, or it will drive you insane.

For me, however, I can’t help but think about it. They were men like me. Some of them were even conscripted into military service. What made them fight? Were they more scared of their leader than of us? What has become of their families? How could I forget or not think about all that I have done? Should I wash my hands of it all like Pontius Pilate? I think not. My choices have been made, my actions irreversible. So live I will, for we were the victors, right? The ones who survived. It is our victory, and our burden to carry, and I bear it with pride and with the greatest of remorse. Do you think that there is a special place in hell for people like me? Or will God judge me to have been a man of honor and duty?

When they told us how many we had killed my first thought was pride. Pride for such a high number. How does one feel pride for killing? Two years later and my thoughts are changed, transformed if you will. Those were just numbers so long ago when I first heard them. Now, however, I know that they were men with families like mine. It is crazy that we humans can be so destructive. There are people out there lining up to become martyrs to kill themselves in order to kill others, and yet you still have people who fight tooth and nail to live for just one minute longer. We are an oxymoron, humanity that is. What makes someone look down the sights of a rifle to take aim on a fellow human being? What does it take to pull the trigger? I have done those things. I have done them and would do it again if it meant returning to my wife and children again. Some of you may think that I am a beast and you are probably right. I am. I will kill, I will take aim and fire, I will call fire upon you from afar with rockets and bombs or anything I can get my hands on if it means that I will see my family one more time.

But, I will also choose to dwell on and live with my choices. I chose to enlist as a soldier. My time has been served and now it is becoming overtime, but I won’t just run away. As much as I would love to just be done (and rightly so now that I have been involuntarily extended). One thing is all I ask of you. I ask that you not judge me. Let me be my own judge, for my judgment is harsher than any of you could give me anyway. For I will always have those memories to remind me of what I have done and what I am. Please know that I pray for peace every day, that and to see my family again.

From A Soldier’s Thoughts (available misoldierthoughts.blogspot.com) Zachary Scott-Singley, the author of this blog, was a sergeant in the 3rd Infantry Division, stationed in Tikrit Iraq.

women of color blog: the institution of prison is haunted by slavery

There’s a youtube video about the Angola 3 that looks interesting that was posted on the Women of Color Blog. I haven’t had the chance to watch it yet.

The blogger draws the relationship between slavery and the prison system, which was an argument made by Vivianne in her excellent talk at this past summer’s Plan-It-X Fest workshop.  This image that was posted is pretty telling.

 Link

Glenn Ligon’s Annotations, Runaways; Slavery in Cumberland County and Relative History

I went to the Warhol Museum while I was in Pittsburgh, recently and saw an exhibit of work by the artist Glenn Ligon.  One of the works on display was a web-based photo album titled Annotations.  It is one of the better uses of technology in art that I’ve seen because instead of being about bells and whistles, where the technical wizardry supercedes any other content, it uses really simple technology to create relationships between media that is familiar and low-tech.  From the introduction to Annotations:

In Annotations each image in the twenty-page album leads to a second or third layer — a simple caption, other photographs, images of book covers, lists, narratives, a hand-written letter, and in a few instances, multiple page spreads — plus, (towards the end of the album), audio clips of music, including the artist singing a capella or with songs from the 70s and 80s. The potential for adding layers of materials behind a single image allowed Ligon to present his material in a manner parallel to the way memory works: when viewing a photo album that one knows, each photo invariably prods recollections or associations. In this instance, where the album is unfamiliar to the viewer, Ligon provides hints and suggestions to multiply the layers of possible interpretation.

The fact that the majority of the people in Annotations are African-American makes race a palpable factor in the reading of each image. Yet there is a feeling of recognition, even if none of the faces is known to the viewer, a familiarity that arises from our intimacy with the conventions of a family album — the proud portraits, new babies, special occasions, banal moments when a camera was in hand, the poorly centered or focused images that make their way past the editing process for whatever reasons.

You can view Annotations on the web. Link

I also saw pieces from his Runaways series, such as this one, where he places himself within the iconography of a runaway slave.

A few days later, when I was visiting my parents, I came across a similar graphic, this one from the 1800s and the township where I grew up:

I came across this image when doing some basic research about the underground railroad in Boiling Springs after hiking with my mom to Island Grove (pictured below) where Daniel Kaufman, the founder of the village of Boiling Springs, harbored people who had been enslaved and were escaping to freedom.

I found these images on a page that appears to be a class project by a Dickinson College student. Link

On the page, the author writes:

In a county that was small and fairly unknown, history was made. The people of Cumberland County took it upon themselves to follow their beliefs and assist in the abolition of slavery.

This seems to be a somewhat rosy view of history.  In the book that I read while I was home, it suggested that Cumberland county’s close geographic ties to the south (with the valley and mountains extending to the south) made for a climate that, with few exceptions, was by no means anti-slavery.  The Afrolumens project has a list of enslaved and slave holders in Cumberland county that seems to suggest that slavery was somewhat prevalent.  I don’t know the historical context to compare this with other places in the north.  The Afrolumens project also has this FAQ that provides some interesting insight into slavery in central Pennsylvania.  The FAQ introduced me to the idea of term slavery which was a mechanism to abolish slavery gradually starting in 1780.

When Pennsylvania legislators decided to abolish slavery in the state, they knew that a complete and immediate abolition of the practice would cause a financial loss to slaveholders by freeing those persons that were already held in bondage.   They also knew that this would be politically unpopular, and might not pass a vote in the legislature.  So they decided on a gradual approach, setting a cut-off date, whereby all of the persons held in bondage as of  March 1, 1780 would remain in bondage, but all children of slaves born in Pennsylvania after that date would be held in bondage only until age twenty-eight.

According to the FAQ, even this gradual abolition was abused.

The “hundreds of children of slaves” that were still around in 1850 came as a result of many severe abuses, misunderstandings and simple disregard for the law. Some of the most blatant and frequent abuses occurred in Lancaster County, where the children of slaves were themselves registered as children of slaves for another twenty-eight years. This practice obviously would have set up an endless cycle, which would have been contrary to the spirit of the law–yet few or none were challenged in court. Some of these abuses were possibly a result of a misunderstanding of the law, and some were justified by the slaveholders by the pregnancy of term slaves. In the latter cases, additional years were added to the terms of women in bondage who became pregnant while serving their twenty-eight year term, and their children were in turn registered as slaves.

So the generalization that the student makes about the people of Cumberland County and their attitudes about slavery seems to be a bit incongrous with other accounts of history.  In thinking about this while I was in PA, I realized that the history of the underground railroad in Boiling Springs was only briefly touched on in history class, and the extensive history of slave holding in PA was definitely not mentioned.  I realized that the heroism of those aiding enslaved people who had escaped is often identified by name, but that of the enslaved often remains anonymous.