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I get to the hotel where we’re staying for the fest and start paging through the dense, brightly covered booklet that describes the bands playing and other events over the course of the weekend. Bz tells me, “just read the first sentence of the description,” and I do. It says, “Welcome one and all to the biggest punk rock, shirts off, stale beer smelling, bear hugging, cheap booze swillin’, high five greeting, coosie totin’, family reunion, holiday, circus of fools we lovingly embrace simply called THE FEST.” It’s cheesy and frankly, I have a hard time feeling myself in those words, but I’m here. Amidst the amped up party atmosphere, there are some great people, and their great bands. Playing fewer and fewer shows with Defiance, Ohio has made being together and the shows we do play seem more special, which is kind of exciting. It makes it feel like this year, the show we play will actually be special instead of the anticlimax that comes with it being just another show, albeit a hyped one.

It is really nice to see people. There is a comfort in being reminded of the things that you know deeply about people, but sort of forgot. The hotel room table is covered in stacks of books from various authors and I remember how hyper-literate my band mates are, yet we’re still able to indulge in America’s Next Top Model marathons. There’s the ability to be goofy as we take videos of our own top-model style commercials for the fest. We take turns making sultry eyes at the mobile phone camera and end with our best “I love to fest.” Whether it was the last-minute, homemade togas the last time we played in Bloomington or these videos, the ability to make weird, theatrical things for our own enjoyment has been one of the most pleasurable experiences with my friends over the years.

We heard that the Max Levine Ensemble was playing a house show, so we wandered around Gainesville for a while until we found the house. It’s easy to spend a lot of at the fest wandering around and getting lost, but the walk felt nice and I like not feeling stuck on University Avenue.

After The Max played, we saw the Hot New Mexicans who were really good. I’ve seen them play a lot, but since we haven’t played many shows this year, I feel like my attention span for shows is so much longer. It’s nice because it helps me really enjoy seeing bands, even ones I’ve seen before, and notice new things about their music.

When their set finished, Bz, Sherri, and I went over to see 7 Seconds. The last time I had seen them was at a Warped Tour when I was a teenager. Unlike Bz, they weren’t really a band that I listened to a lot when I got into punk, but the first time I heard them, I realized that they were a huge influence to so many of the local hardcore bands in my home town. As, I get older, I’m inspired by people much older than me continuing to play music. We have a narrative of people touring and playing music until they burn out and self destruct or dropping out into a more conventional life, but there are many people who have decided to have families, or maybe careers who struggle to strike a balance with still being involved in punk music and I think their stories often go unmentioned. Kevin Seconds is an engaging performer, and a good storyteller. After performing for a few decades, its obvious that telling stories or connecting an old song with current events comes more easily, but not without sincerity. It’s so important to me, and one of the things that drew me to punk initially, that the songs come from somewhere, that there is such a direct link from experience or perspective on the world to lyrics and performance. It was interesting to hear the story behind the classic song Walk Together. Apparently, it was written after a show was canceled due to fear of metalhead vs. punk violence. It’s nice that their response was to write a song celebrating unity rather than a call to kick some metal ass.

Punk can be so contradictory, at once macho and positive, crucially critical and irrelevantly divisive. Listening to the radio and reading Billboards, I realized how conservative Florida can be. There was one stretch where there was an anti-choice billboard with a giant fetus every few miles. After seeing the preserved fetuses at the You: The Experience exhibit at Chicago’s Museum of Science and Industry, the billboard seemed even more manipulative because the fetus next to the text “My heart beats after 18 days didn’t look like the 18-day-old embryo that I saw at the museum. This is besides the point, though. For me, the debate isn’t really about what constitutes “life” at a certain stage of prenatal development, but about a consistent cultural desire to control the bodies and lives of women and a lack of support for health care for women and children as well as support for families that don’t fit the one mom, one dad, 2+ kids model. It’s just scary to think about all the energy and resources that went to put giant embryos beside the highway.

I also saw a billboard advertising the Fraternal Order of Police’s gun show and I just don’t see how encouraging people to buy guns helps ensure safety or order. The kicker was to hear a commercial for a conservative “Black Tie and Blue Jeans” event that said, “Conservatives, come eat MEAT while those liberals are eating their granola and driving their hybrids.” Note to progressive punks, snark and irony won’t change anything. The reality of talk-radio-style conservatism is so ridiculous that it will be more bizarre and gross than any parody. It really feels like there is a culture war, and I don’t want to fight in it. It feels like a test of faith, that there are enough people, coming from all different experiences, who want to be connected and empathetic to other people, who want to really solve problems, who want to base their perspective on things that are external to their experience on a careful, comprehensive discourse. I don’t want to “win” over people or organizations who promote ideas that I think are really harmful. I just want there to be a critical mass that makes them irrelevant.

How to Walk to School offers a compelling blueprint, but not a foundation

Moving to Chicago with two 9-year-olds, I had my first adult experience with “shopping” for schools. My household didn’t have the resources to consider private schools and were moving long after the deadline for applications to the Chicago Public Schools’ (CPS) selective magnet schools. So, the search for a good school was focused on the neighborhood schools where admission was guaranteed if a family lives within the school’s district boundaries. Knowing little about the city’s schools, websites provided information about test scores, programs offered, racial demographics, and, in some cases, parent reviews. The calculus of evaluating this information was extremely challenging. What needed to be read between the lines of parent reviews? Were there schools that deeply reflected diversity when a map of the highest rated schools and the racial makeup of the student bodies so clearly reflected the harsh rigidity of Chicago’s racial segregation, white flight, and gentrification? All of the factors seemed so difficult to weigh. How was I to compare the lively artwork (with notable connections across the curriculum) with the teacher who referred to some of her students as her “fragile babies” with the frantic parent distraught over pre-school admissions? Being only a quasi-parent complicated matters further. Ultimately, I wasn’t as intimately familiar with the needs of children that I had been living with as their mother. Furthermore, I found it hard to reconcile my abstract ideology with their concrete needs. I kept thinking of the choice in terms of my parents’ stories of changing race and class dynamics in the Flint, Michigan schools of their childhood and the subsequent flight of white, middle-class families from the schools and the city. I couldn’t stop thinking of the choice for these two kids in the broader context of how parents who could make choices about their children’s education ultimately made those choices. For better and for worse, even taking such larger dynamics into account, most parents make decisions based on the difficult projection of what will make their children most happy. As their mother firmly pointed out to me, the kids “aren’t an experiment.”

We ultimately moved to the Lakeview neighborhood, within the boundaries of the Nettelhorst school. On paper, the school seemed to have solid academics, a lot of arts programming, and visual first impressions showed a good playground, and vibrant exterior. The first time I visited the school, I was most struck by how designed the interior looked. It was neither sterile nor amateurish. It looked good. Slowly I heard bits and pieces of how parents in the community had invested in the school, shifting it from a school that faced many of the same problems as the majority of Chicago public schools into a highly desired, media acclaimed success story. The story of the changes seen by Nettelhorst seem almost mythical, so even if “How To Walk To School” does little to downplay the school’s mystique, it does provide a more comprehensive view of the school’s evolution.

“How To Walk To School” is co-authored by two of the key players in the school’s redevelopment. Jacqueline Edelberg is a parent who organized other East Lakeview parents to invest energy and resources into the neighborhood school while Susan Kurland is the former Nettelhorst principal who worked with community parents to bring changes to the school. Edelberg’s strategy for building a stong neighborhood school involved first organizing a small group of resourced neighborhood parents willing to commit to investing their energy, resources, and child’s attendence into the urban neighborhood public school rather than a private school, public magnet school, or a public school in the suburbs. These parents then built a strong relationship with an administrator (Kurland), who was willing to let the parents have broad access to the school to begin altering the school’s image in order to make it more appealing to other resourced families as an alternative to private or magnet schools. These parents also built relationships with cultural and community groups to provide services and programming at the school. This, once again, made the school more attractive to neighborhood parents and also to potential funders. Throughout the ongoing process of building a neighborhood school, the parents had to navigate the capricious funding and organizational dynamics of Chicago public schools. They also had to leverage their social capital to build relationships with everyone from neighborhood businesses to well-connected foundation board members to fund every aspect of the school’s changes. Finally, those working to bring about changes to the schoool had to adopt fundraising tactics from elite private schools and public relations strategies from the business sector to compete for scarce education funding dollars.

These strategies provide some surprising insights. The initial focus on attracting investment from resourced parents caused the original core group working to change the school to act first to make changes that some would argue as superficial. One such change was to remove the familiar posters encouraging students to read or discouraging negative behavior because such signs might trigger resourced parents’ negative preconceptions about the school.

Strangely, though written by Edelberg and Kurland, the story is told in the third person. While the authors try to be open about their orientations around the complicated issues that converge in public education, the third person voice ends up sounding more detached than objective. If, as the authors repeat throughout the books, school changes such as the ones happening at Nettelhorst can be initiated by average parents, everywhere, it is difficult to understand why they chose to awkwardly obscure their personalities, perspectives, and prejudices.

Narratives about public education often focus on a polarized cast of characters: parents, teachers, principals, school district administrators, politicians, and students. How to Walk to School tells a story about public education that is largely focused on a small group of parents and a principal. While such a focus makes sense in terms of the perspectives of the authors, no story about public education exists without the other players. Conflicts and challenges with teachers and other parents are frequently mentioned, but briefly, and as minor obstacles that could be powered through or circumvented. The approach taken by Edelberg and other neighborhood parents is a starkly unilateral one. Though the results of their efforts are impressive, the singular perspective of the book left me wondering if their were high costs to the approach of the Nettelhorst reformers that go unmentioned. The model and outcomes of the changes happening at Nettelhorst are interesting and significant, so it seems like the story deserves a more objective perspective that also includes the voices of those at odds with or marginalized by the changes in the school. Certainly, if the book is truly to act as a blueprint for other parents who want to enact change in their neighborhood schools, greater focus on the interpersonal, social, and ideological conflicts implicit to any kind of change would have been useful. With most of these challenges largely glossed over, the book may inspire others who wish to bring change to neighborhood schools but gives little perspective about how to improve on the process.

Divisions in race and class and the pain and animosity associated with these social rifts scar public education systems in the United States, particularly in cities with a long history of racial and economic segregation such as Chicago. In How to Walk to School, race and class loom as uncomfortable subjects. The ultimate result of the changes in Nettelhorst is that the neighborhood public school became a great educational option for middle to upper-middle class families who likely would have had a relatively large number of options for a quality education.

The authors of this book would likely admit that the strategy that they outline is a pragmatic one. However, it may be overly cynical. Early on, rather than changing neighborhood parents’ underlying prejudices about the school and the out-of-neighborhood students who filled it or mediating conflicts between students and school neighbors, those working to change the school chose to instead paint a more pleasant veneer over the school or limit interactions with students having just endured or preparing for a long bus ride home. Furthermore, while the book does not dismiss efforts towards fundamental shift in the amount of money directed by governments to public education, it believes that such changes are unlikely or slow to come and individual schools will have to help themselves.

The authors are quick to criticize “magic bullet” solutions such as CPS’ past dramatic restructuring of city schools. Just as these strategies can’t hope to solve for the diverse and deep problems of the district’s schools, Nettlehorst’s transformation doesn’t mean that the school is perfect. Sustaining quality public education remains a nuanced confluence of factors. The experience of the kids that I live with, transferring from a less resourced school to Nettelhorst, have been positive, but not idyllic. Ample funding for numerous arts programs hasn’t proven to be a match for a single excellent art teacher. Conversely, the visionary teachers who had such an equal, intimate relationship with their students at their old school had difficulty creating the calmer learning environment that they’ve found at Nettelhorst. Still, this doesn’t mean that the students don’t have to contend with capricious friendships, social hierarchies, and childhood cruelties. While the school has close relationships with the neighborhoods queer community, this doesn’t mean that students don’t bring their own family’s discomfort with different sexual orientations.

Perhaps, though, the most important change that results from the blueprint offered by How to Walk to School is not in the monetary resources of a school, its student demographics, or its curriculum, but a greater human investment, in terms of time, attention, and concern for public education from parents, administrators, neighbors, and the community. While this book stops short at exploring how this investment can help address challenges facing schools that can’t be improved with resources, such investments, if made carefully and with ample vision, might give way to broader transformations.

Node body search and replace Drush command

This is a command for the very useful Drupal Shell (Drush) module that lets you search and replace text in the body of a node using regular expressions. I wrote it when I was fixing broken links for the Center for Research Library’s web siter and got tired of having to visit a URL, click the edit link, replace the text, update the revision log, and click the save button.

Install this command as you would any other contributed command (for instance, you could put this file in your ~/.drush folder)

To learn how to use, check out the help text for the command by running drush help replace at the command line.

Example usage:

$ drush –url=http://www.crl.edu replace jstor-titles/economics-titles “/http:\/\/www.crl.edu\/jstortitles\/” “”

This replaces all instances of http://www.crl.edu/jstortitles with an empty string. Note that the syntax and escaping of the regular expressions are for those of PHP’s preg_replace function.

Download replace.drush

Published
Categorized as Code Tagged

Wal Mart Controls Chicago Weather

I pulled my car into the remnants of a snow bank near the corner of Milwaukee and Paulina in Chicago’s Wicker Park neighborhood. Further down the block and across the street, the curbside was bare. According to a volunteer at a storefront across from the mysterious snow bank, the snow was created as part of commercial shoot for department store giant, Wal Mart. The man that I spoke with, claimed that the commerecial used empty storefronts in the neighborhood to create a fake main street where shoppers rejected the high prices of mom and pop stores in favor of Wal Mart.

Wal Mart, who has opened one store on the West side of Chicago is currently pushing to open an additional store on the city’s south side.

Photo from strannik45 on Flickr used respectfully without photographer’s permission.

Allied Media Conference Supercomputing Project

Call for involvement from Free Geek and similar projects

Hello,

My name is Geoff Hing and I am coordinating a project at this summer’s
Allied Media Conference in Detroit, MI, July 16-19. For more
information about the conference in general, please see
http://alliedmediaconference.org/. I’ve been aware of your project for
some time and am excited to finally get a chance to talk to all of you
and hopefully collaborate this summer. I’m hoping that you can help
provide expertise in-person (really important), consulting advice
(important), or hardware donations (less important, but helpful) with a
special project at this year’s conference.

I am seeking your help with a project in this year’s Media Lab space at
the conference. The conference organizers describe the Media Lab space
as “an open, collaborative space where people can go to make media
together, after being inspired by the things they learn in conference
workshops. Youth are the main teachers and learners in this space,
leading workshops in animation, beat-making and recording.” An example
of a media lab project from last year was the building of an FM
transmitter by conference participants, with the guidance of folks from
the Prometheus Radio Project, to be used by a grassroots organization in
Detroit after the conference.

This year, one of the projects will be to refurbish computer hardware
and install Free/Libre/Opensource (FLOSS) software to make
“supercomputers” that will form a permanent media lab in Detroit. This
computer lab will be a training space to offer participants insight on
how to make full use of common and new technologies. Participants from
throughout the city will use the lab to learn skills for web 2.0
organizing strategies, media production, community radio, interactive
communication techniques, technology design, and media policy.

Since a big part of the project will be working with conference
participants to refurbish PC hardware and install FLOSS software, your
project immediately came to mind. I would love it if folks from your
project could do some of the following:

* Come to the conference and act as mentors for the supercomputing project

You will share your expertise with conference participants as they piece
together usable machines from donated hardware and then install a
GNU/Linux operating system and multimedia software. As the machines get
built, you will show folks how to use them for things like
videoconferencing, beat making, image editing, graphic design, or
audio/video editing.

* Be available to for consultation

Maybe you can’t make it to the conference, but you have tons of
experience in sharing tech skills with people. I want to know what
you’ve found are the best ways to show people how to do this stuff. How
do you break down the process into steps/tasks? What language or
analogies do you use to make things clearer? How do you document the
process so other folks can replicate your work? If you have ideas to
share about these kinds of things, please let me know your contact
information so we can chat.

* Donate hardware

We’re looking for machines with these minimum hardware requirements:

1 GHz CPU
256 MB RAM
10 GB Hard Drive
Sound and Video Cards
Network Card

The media lab is looking to build 5 machines, so the emphasis is
definitely on quality rather than quantity. However, if you would be
willing to donate one barebones machine, or one large-capacity hard
drive, or one really great video or sound card, that would be so helpful.

* Suggest a session for the conference’s How To track

If you have other skills you want to share outside of this project
through a session, or there’s just something that you feel has been
missing at other media conferences, suggest a session at
http://alliedmediaconference.org/propose

Thanks for taking the time to read this. I think the work that you do
is completely awesome and I would love to work with you on this project.
Please share this with folks working within your group and with other
people who might have similar expertise. I’m always happy to chat if
you have any questions or ideas. You can reach me at

Email: geoff@terrorware.com
Skype: geoffhing

I look forward to hearing from you!

Take care,
Geoff

Transit, Chicago, and Collective Consciousness

I think I feel most connected to the city on transit.  Last night I talked to a friend and the idea of things that weren’t a presence in my life before I moved to Chicago came up.  I think that one of those things is just a pervasive and surprising sense of collective experience.  Today, on the bus, a woman at the stop asked if the bus went to the sears tower and as the bus driver struggled to give her a precise answer, the bus hummed with the murmurs of people offering their own responses.  Another rider asked how long it took to get downtown on the particular bus.  Again, the bus collectively came to the conclusion 20 minutes.  Of course, the tragedy is that the composite experience of space and time in the city breaks down.  As horrible as the recent beating death of a Chicago youth and the morbid curiosity that still surrounds it, those events are miles and miles away from many of the people who live here, both in terms of geography and experience.

Help Florence get a smile

Florence needs braces in a pretty serious way (potential future jaw and other pain) and now is the time that it’s best for treatment to begin. Unfortunately, it costs some serious bank.

Chiara started a Facebook group to help Florence out:

Florence needs braces as soon as possible to fix her overbite and avoid future messes such as head aches, neck and mouth problems and such.

she needs it now as her bones are still growing, and the treatment is much more effective that way.

and guess what? the treatment is 6,400 dollars.
there is no way i can do this by myself. if you can help please do, if you cannot that’s ok. if you know someone who can, let them know.

You can donate via the PayPal badge on Chiara’s Facebook page.  Contact me if you have any questions or would like to make a donation by check.